Paithani sari

03 / The collection

Paithani

Paithan and Yeola, Maharashtra

The weave

Silk, coloured wefts and luminous zari.

Named for Paithan, and woven today in Paithan and Yeola, Maharashtra. A tapestry of birds and flowering vines, built into the border and pallu one small colour area at a time.

The border and the pallu

Tapestry weaving. Each coloured weft works within its own part of the motif, interlocking with its neighbour where the colour changes. Kadiyal joins a contrasting border to the body on the loom. Two fields of colour, meeting in one cloth.

Rare hallmark

Turn the pallu over. The tapestry design reads on both faces, without long coloured floats across the back.

Fold a corner back and look at them together.

The motifs

Bangdi MorPeacocks enclosed in a bangle-shaped medallion.
MuniyaA stylised parrot, traditionally green with a touch of red at the beak.
AsawaliA flowering vine with angular leaves and stepped petals, built from distinct areas of colour.
Akruti border

The colours

Kalichandrakala
Shirodak
Raghu
Pophali
Morpankhi
Motiya
Kusumbi

Kalichandrakala — Black with a red border.

Shirodak — Pure white.

Raghu — Parrot green.

Pophali — Yellow.

Morpankhi — Peacock blue-green.

Motiya — Peach pink.

Kusumbi — Red violet.

Colour carries its own vocabulary. Even black and white have named identities.

The Art of the Sari, cover

See it in print

Paithani as it appears in the book — motifs, colours, hallmarks and fold.

Open at page 23

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We hope you enjoy discovering
the stories of warp and weft,
memory and meaning.

Now open at Governors Bungalow Road, Daspalla Hills, Siripuram, Visakhapatnam — a new journey by the Kankatala family, anchored in అ and the spirit of discovery.

KALఅA by Kankatala

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